Chloe Noble

Chloe Noble

Artist

Visual Arts · Prospect, SA

Chloe Noble (she/they/he) is a multidisciplinary visual artist, facilitator and arts worker based on Kaurna Yarta / Adelaide, and the current Disability Access Studio recipient at The Mill. They hold a Bachelor of Creative Arts (Visual Arts) from Adelaide College of the Arts / Flinders University. Their practice spans painting, digital art, installation and poetry, exploring memory, domesticity, identity, disability, trauma and queerness through expressive mark-making and vibrant colour harmonies. Drawing from lived experience of disability, chronic illness and neurodivergence, Noble creates work that combines personal narrative with socially engaged approaches, inviting reflection, connection and dialogue.

About their work

My practice explores the emotional relationships we form with places, objects and landscapes, and the ways memory becomes embedded within them. I am interested in how seemingly ordinary environments can hold traces of care, grief, joy, trauma and belonging, becoming quiet archives of lived experience. Working across painting, installation, digital media and poetry, I create works that invite audiences to reflect on the spaces that have shaped them and the memories they continue to carry.

Drawing from my lived experience as a disabled, chronically ill and neurodivergent artist, I use making as a way of navigating identity, connection and the complexities of remembering. Rather than presenting autobiography directly, I translate personal experiences into visual language through expressive mark-making, layered surfaces, vibrant colour harmonies and recurring motifs drawn from architecture, domestic interiors, and the natural environment. These become metaphors for resilience, vulnerability and transformation.

My recent work has shifted towards creating immersive and spatial experiences that encourage slow looking and emotional participation. I am increasingly interested in the intersection of painting, text and installation, exploring how these mediums can work together to evoke atmosphere and encourage viewers to consider their own emotional connections to place.

Ultimately, I hope my work creates moments of recognition — where personal memories become collective, where vulnerability becomes a point of connection, and where the spaces we inhabit reveal the stories they have quietly held all along.

Decorative coloured shape strip

ADNA acknowledges the lived and living experience of people with disability and their family members, carers and supporters.

We recognise the huge contribution people with lived and living experience make to ADNA's work, disability advocacy, and arts and culture in general.

ADNA uses ‘person-first language,’ emphasising the person, not the disability. As a disability-led organisation, we also embrace ‘identity-first’ language, acknowledging disability as identity.

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